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William Klein Used Irony and Experimentation in His Fashion Photogra

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William Klein
Klein crop.jpg

Klein at the Cinémathèque française in 2008
Born (1928-04-19) Apr 19, 1928 (age 93)

New York, New York, US
Nationality American / French
Education City College of New York, La Sorbonne, studied with Fernand Léger
Known for Photography, cinema, painting
Awards Prix Nadar (1957), Prix Jean Vigo (1967), Hasselblad Award (1990), Royal Photographic Society's Centenary Medal and Honorary Fellowship (1999), Outstanding Contribution to Photography Award, Sony World Photography Awards (2012)

William Klein (born April 19, 1928) is an American-built-in French lensman and filmmaker noted for his ironic approach[i] [2] to both media and his extensive apply of unusual photographic techniques in the context of photojournalism and fashion photography.[ane] He was ranked 25th on Professional person Photographer 's list of 100 most influential photographers.[3]

Klein trained as a painter, studying nether Fernand Léger, and found early success with exhibitions of his work. He soon moved on to photography and achieved widespread fame equally a fashion photographer for Vogue and for his photograph essays on various cities. He has directed characteristic-length fiction films, numerous brusk and feature-length documentaries and has produced over 250 idiot box commercials.

He has been awarded the Prix Nadar in 1957, the Imperial Photographic Social club's Centenary Medal and Honorary Fellowship (HonFRPS) in 1999, and the Outstanding Contribution to Photography Award at the Sony World Photography Awards[iv] in 2011.

Life and piece of work [edit]

Klein was born in New York City into an impoverished Jewish family.[v] He graduated from loftier school early on and enrolled at the City College of New York at the age of 14[5] to study sociology. He joined the U.Southward. Army during World War Ii and was stationed in Germany and later French republic, where he would permanently settle afterward being discharged.

In 1948, Klein enrolled at the Sorbonne, and afterwards studied with Fernand Léger. At the time, Klein was interested in abstract painting and sculpture. In 1952, he had two successful solo exhibitions in Milan and began a collaboration with the architect Angelo Mangiarotti.[5] Klein also experimented with kinetic art, and information technology was at an exhibition of his kinetic sculptures that he met Alexander Liberman, the art director for Vogue.

He moved on to photography and achieved widespread fame equally a fashion photographer for Vogue and for his photograph essays on diverse cities. Despite having no formal training every bit a photographer, Klein won the Prix Nadar in 1957 for New York, a volume of photographs taken during a brief return to his hometown in 1954. Klein's piece of work was considered revolutionary for its "ambivalent and ironic approach to the earth of fashion",[ane] its "uncompromising rejection of the then prevailing rules of photography"[1] and for his extensive employ of broad-angle and telephoto lenses, natural lighting and motility mistiness.[1] The New York Times' Katherine Knorr writes that, forth with Robert Frank, Klein is considered "amongst the fathers of street photography, ane of those mixed compliments that classifies a homo who is hard to classify."[6]

Klein'southward most popular photographic works are Gun i, New York (1955), The Holy family unit on bike (Rome, 1956), Cineposter (Tokyo, 1961), Vogue (fashion models in the streets of New York, Rome and Paris for Vogue magazine, 1963), Love on the Beat (Serge Gainsbourg album sleeve, 1984), Club Allegro Fortissimo (1990) and Autoportrait (a book of painted contact prints, 1995).

The world of style would go the subject for the kickoff characteristic film Klein directed in 1966, Who Are You, Polly Maggoo?, which, like his other two fiction features, Mr. Liberty and The Model Couple, is a satire. He has directed numerous brusk and feature-length documentaries,[7] including the cinéma vérité documentary Grands soirs et petits matins, the 1964 documentary Cassius the Great, re-edited with new footage as Muhammed Ali, The Greatest in 1969. He has produced over 250 television commercials.[7] A long time tennis fan, in 1982 he directed The French, a documentary on the French Open up tennis title.

His work has sometimes been openly critical of American society and foreign policy; the film critic Jonathan Rosenbaum once wrote that Mr. Freedom was "conceivably the about anti-American movie ever made."[8]

Filmography [edit]

Documentary films [edit]

  • Broadway past Light (1958). A study of Broadway by night.
  • Les troubles de la circulation (1962). Paris traffic jams for French Tv set.
  • Le business et la way (1962).
  • Les français et la politique (1962).
  • Gare de Lyon (1963).
  • Cassius, le grand (1964–65). Film of Sonny Liston Cassius Dirt fight in Miami.
  • Aux grands magasins with Simone Signoret (1964).
  • Loin du Viêt Nam (1967). Collective film with segments contributed by Klein, Jean-Luc Godard, Chris Marker, Claude Lelouch, Alain Resnais, Joris Ivens and Agnès Varda.
  • Muhammed Ali, The Greatest (1969).
  • Festival panafricain d'Alger (1969).
  • Eldridge Cleaver, Blackness Panther (1970). On Eldridge Cleaver, Black Panther Party leader.
  • Hollywood, California: A Loser'southward Opera' (1977).
  • Grands soirs & petits matins (1978). May 1968 in the Latin Quarter of Paris.
  • The Little Richard Story (1980).
  • The French (1982). A documentary near the French Open tennis tournament in 1981.
  • Contacts (1983). Klein comments photographs past great photographers.
  • Ralentis (1984).
  • Manner in France (1984). A documentary on French way.
  • Babilée '91 (1992). A filmed ballet.
  • In and out of fashion (1994).
  • Messiah (1999). Based on Georg Friedrich Haendel's oratorio Messiah directed past Marc Minkowski.

Characteristic films [edit]

  • Who Are You, Polly Maggoo? (1966). Satire on the fashion world (Prix Jean Vigo). With Dorothy McGowan, Delphine Seyrig, Jacques Seiler, Alice Sapritch, Philippe Noiret, Samy Frey and Roland Topor.
  • Mr. Freedom (1969). Satire on American Imperialism. With Delphine Seyrig, John Abbey, Donald Pleasence, Jean-Claude Drouot and Serge Gainsbourg.
  • L'anniversaire de Charlotte (1974). viii mm short film for the Paris Film Festival. With Charlotte Levy, Roland Topor, les Gazolines and Coline Serreau.
  • The Model Couple (1977). When folklore and statistics take over everyday life. With Anémone, André Dussollier, Zouc, Jacques Boudet, Eddie Constantine and Georges Descrières.

Publications [edit]

  • New York. London: Photography Magazine, 1956.
  • Life is skillful and healthy in New York: Trance Witness Revels. [9] [10]
    • Life is good and practiced for you in New York: Trance Witness Revels. Éditions du Seuil, 1958.
    • New York 1954–55. Marval, 1995. New edition.
    • Life is Good & Skillful for Y'all in New York Trance Witness Revels. Books on Books 5. New York: Errata Editions, 2010. ISBN 978-1-935004-08-0. Essays by Klein, Max Kozloff and Jeffrey Ladd.
    • Life is Good & Good for you in New York Trance Witness Revels. Books on Books 5. New York: Errata Editions, 2012.
  • Rome. Paris: Éditions du Seuil, 1958 (Petite Planète series). ISBN 9782812312151.
  • Rome: The City and Its People. [eleven] [12] [xiii]
    • Rome: The City and Its People. New York: The Viking Press and London: Vista Books, 1959.
    • Rome: The City and Its People. Paris: Éditions du Seuil, 1959.
  • Moscow. Crown, 1964. Outset edition.
  • Tokyo. Crown, 1964. Commencement edition.
  • Mister Freedom. Korinsha Printing, 1970. Beginning edition.
  • Shut upward. Thames & Hudson, 1989.
  • Torino '90. Federico Motta Editore, 1990.
  • Way in & out. Seuil, 1994. ISBN 9782020216852.
  • William Klein Films. Paris: Marval/Maison Europeenne De La Photographie, 1998. Get-go edition. ISBN 9782862342634.
  • Paris + Klein. Germany: Edition Braus, 2002. ISBN 9783899040197.
  • MMV Romani. Fendi-Contrasto, Centre Pompidou. ISBN 9788889032817.
  • William Klein, rétrospective. Marval, 2005.
  • Roma + Klein. du Chêne, 2009.
  • William Klein: Black and Calorie-free, Early Abstracts, 1952 – 2015. HackelBury Fine Fine art, 2015. ISBN 978-0957026322.

Awards [edit]

  • 1957: Prix Nadar for New York.[xiv]
  • 1967: Prix Jean Vigo.[ citation needed ]
  • 1988: The Cultural Award from the German Society for Photography (DGPh)[15]
  • 1990: Hasselblad Laurels.[sixteen] [17]
  • 1999: Centenary Medal and Honorary Fellowship (HonFRPS) from the Royal Photographic Guild.[18]
  • 2012: Outstanding Contribution to Photography Honor, Sony World Photography Awards.[19]

Exhibitions [edit]

  • 2013: Without Compromise: The Picture palace of William Klein, Museum of Arts and Pattern, New York. A retrospective on Klein's documentary filmmaking work.[twenty] [21]
  • 2017: William Klein: Photographs and Films, C/O Berlin, Berlin.[22]

Collections [edit]

Klein's work is held in the following public collection:

  • Rijksmuseum Amsterdam.[23]

References [edit]

  1. ^ a b c d due east "William Klein". Photography of the 20th Century. Masters of Photography. Retrieved 2010-01-06 .
  2. ^ "Text by John Heilpern". William Klein: Photographs. Masters of Photography. Retrieved 2010-01-06 .
  3. ^ "Professional Photographer Magazine". Top 100 Almost influential photographers Century. Professional Photographer Magazine. Retrieved 2012-01-28 .
  4. ^ O'Hagan, Sean (29 April 2012). "William Klein – in pictures". The Guardian . Retrieved 25 June 2015.
  5. ^ a b c "William Klein Biography". designboom. Archived from the original on 2009-10-05. Retrieved 2010-01-06 .
  6. ^ Knorr, Katherine (1996-10-26). "William Klein'due south Street Life". The New York Times . Retrieved 2011-01-xiv .
  7. ^ a b "Klein, William". Photography Encyclopedia. Masters of Photography. Retrieved 2010-01-06 .
  8. ^ "Mr. Freedom". Chicago Reader. Chicago Reader. Retrieved 2010-01-06 .
  9. ^ See: Andrew Roth, ed., The Book of 101 Books: Seminal Photographic Books of the Twentieth Century, New York: PPP Editions in association with Roth Horowitz LLC, 2001
  10. ^ Table of contents in: The Volume of 101 Books: Seminal Photographic Books of the Twentieth Century, worldcat.org. Retrieved 12 Oct 2020.
  11. ^ Michel and Michèle Auer, Collection Grand. + M. Auer - une histoire de la photographie, Hermance, Switzerland: Éditions K+M, 2003)
  12. ^ Andrew Roth, ed., The Open up Book, Göteborg, Sweden: Hasselblad Center in association with Steidl Verlag, Göttingen, Deutschland, 2004)
  13. ^ Martin Parr and Gerry Annoy, The Photobook: A History, Volume I, London and New York: Phaidon, 2004.
  14. ^ "William Klein". International Centre of Photography.
  15. ^ "The Cultural Accolade of the Deutsche Gesellschaft für Photographie (DGPh)". Deutsche Gesellschaft für Photographie eastward.V.. Accessed 7 March 2017.
  16. ^ "Gallery Fifty One". Art Internet.
  17. ^ "Previous Award Winners". Hasselblad Foundation. Retrieved 18 August 2016.
  18. ^ Majestic Photographic Society's Centenary Award Accessed 13 August 2012
  19. ^ "William Klein to receive Outstanding Contribution to Photography Award". Archived from the original on 2012-10-29.
  20. ^ "Without Compromise: The Cinema of William Klein". Museum of Arts and Design . Retrieved v August 2015.
  21. ^ Bortolot, Lana. "Embraced One time More By the City He Fled". Wall Street Journal. Dow Jones & Company, Inc. Retrieved five August 2015.
  22. ^ "William Klein". C/O Berlin. 8 March 2017. Retrieved 25 April 2017.
  23. ^ "Search – Rijksmuseum". Rijksmuseum.

External links [edit]

  • Klein biography
  • William Klein at IMDb
  • Klein at the Victoria and Albert Museum
  • MadeInPhoto.fr

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